ENG 301 Texts and Technology: Web Compositions
Lori Amy
Syllabus
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Week 1 |
--Intro, defining groups, interests, and projects |
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Wk 2 |
--Benjamin "The Work of Art in the Age of Mechanical Reproduction" --library reserve and
Hypertext/Theory Ch. 2 Espen J. Aarseth "Nonlinearity and Literary Theory" |
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Wk 3 |
--Patchwork Girl-- hypertext narrative at CSU bookstore |
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Wk 4 |
--MOO work |
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Wk 5 |
--Lab--HTML & MOO |
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Wk 6 |
--Lab--HTML & MOO |
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Wk 7 |
--Lab--HTML & MOO |
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Wk 8 |
--McClintock and Pratt library reserve |
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Wk 9 |
--Hypertext/Theory: Ch. 4 "The Screener's Maps: Michel de Certeau's
'Wandersmanner' and Paul Auster's Hypertextual Detective" Mireille
Rosello
and Project Work |
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Wk 10 |
--Hypertext/Theory: Ch. 5 "'How Do I Stop This Thing?' Closure and
Indeterminacy in Interactive Narratives" --J. Yellolees Douglas
and
Project Work |
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Wk 11 |
--Hypertext/Theory: Ch. 10 "Socrates in the Labyrinth" David Kolb and
Project work |
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Wk 12 |
--Hypertext/Theory: Ch. 11 "The Miranda Warning: An Experiment in
Hyperrhetoric" Greg Ulmer
and Project Work |
Wk 13
Wk 14
Wk 15 |
--Open for class decision-- we may view film, read another hypertext,
consider more of the work theorizing hypertext. We will also be
presenting our projects during these three weeks, so we will need to be
sure to schedule time accordingly
-- Remember-- we also meet Thursday, April 29th, to even out the distribution of hours throughout the semester--
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Note-- Chapters from Hyptertext/Theory: We will be forming reading groups of 2-3 people to read and post summaries to our web page of those those chapters not assigned for class discussion.
Because many of you have different levels of familiarity with technology
and writing, and because I would like to establish a theoretical context
for the work we are doing, we will begin the course with Walter
Benjamin's famous essay "The Work of Art in the Age of Mechanical
Reproduction" and discuss the implications of Benjamin's work for
digital culture and texts. From there, we will test our suppositions as
we read and discuss Shelley Jackson's hypertext fiction Patchwork Girl.
By the end of the third week, you should all have active email accounts
and know where and how you will have computer access. Because we do not
have a computerized classroom to rely upon and must thus work out of
borrowed space, open labs, and home computers, we will all have to be
ingenious, generous, and flexible. In week 4, I will be introducing you
to MOO work through Tari Fanderclai's MOO, Connections. Once we have
all become comfortable in the MOO, we will have the option of meeting
virtually in the MOO for some of our other sessions.
Weeks 5, 6, and 7 we will devote to lab work. During this time, we'll
learn the nuts and bolts of getting a document on the WWW, how to use a
file transfer protocal, basic html code, how to navigate and research
the internet, and a bit about the semiotics of web design-- what, for
instance, does it mean for an image to be part of the "text"?
For the rest of the term, we will divide our class time up between
discussing short essays grappling with the issues of technology,
culture, and text and working on our major projects. For weeks 13 and
14, and 15 we may choose to watch two X-Files episodes significant for
their rewriting of traditional "stories," or we may choose to consider
film or narratives that the class chooses. In either case, we want to
think in these last few weeks of the course about the relationship of
the novel, film, and hypertext to a culture's technology, imagination,
and construction of self and other. Along with this, we will be
"presenting" our final projects and considering how these projects
extend the ways in which we can think about texts and technology.
Writing Requirements and Grading:
The work for this course has 3 primary components:
- "Discussion"--in-class, email, MOO --25%
First, your own intellectual and philosophical considerations of
hypertext literature and the social, cultural, and theoretical issues at
stake in the move to a digital culture are an important component of
both the "reading" and the "writing" of this course. I put these terms
in quotation marks because email "conversations," MOO "discussions," and
collaborative, multi-vocal web work collapse the boundaries between
"speaking" "reading" and "writing." Each medium combines the fluidity
and spontaniety of oral communication with the record and permanence of
a written text while requiring that we read as we "talk." While many of
our sessions, especially at the beginning of the term, will follow the
traditional classroom's structures of meeting and discussing our work,
many others will be conducted virtually, either through email
assignments, MOO work, or group work in the lab. For each of these
sessions, the record of the conversation counts towards your grade.
This may require that you log MOO transcripts and turn them into me,
that you email responses to our readings to the class, or that you post
reflections upon our work to the class's collaborative web page. For
each class session, we will decide as a class what issues are most
salient, how we want to consider them further, and exactly what form our
extended discussion (and your graded work for this) will take. It is
thus essential that you keep up with each class's work and that you know
where, when, and how we will be "meeting" for each session, (in our
classroom, in open lab or IST spaces, in the MOO from home...).
- Collaborative Texts and Technology website design and development-- 25%
You'll be contributing in at least three ways to the collaborative
website. First, as we read and think about hypertext, our "discussions"
will create a text of their own. Our collaborative website is to
represent the text of this course. As such, you will each be weaving
strands of your contributions to the thinking of course into a hypertext
for which this class's homepage will serve as the foundation. You will
be responsible for graphic design, layout, images, structuring and
ordering narrative links-- you can get as creative as you would like
here. If you know a great deal about design and can write javascript
for this site, that counts. If you are a poet and feel inspired to
verse for this site, that counts. If you have a revelation about one of
our readings, that counts. From beginning to end, the class is
responsible for deciding what should be on this page, what it should
look like, and how it should be organized.
- Final Digital Project-- Hypertext, MOO, or combination-- 50%
For your final project, you will develop an internet-based narrative.
This project must fit the theme of this course and demonstrate your
intellectual work with the issues at stake in the digital cultural
revolution. In particular, I want the projects to involve a
self-reflexive consideration of "text," "audience," "reader," "writer,"
"production," "dissemination"-- in short, the ideas we will be working
with throughout the term. Within these parameters, you can design
virtually any kind of project you can imagine. You might want to do a
hypertext narrative along the lines of Patch-Work girl, or you may
choose to make an extensive website bringing together sophisticated web
design incorporating image, sound, and text. Or, if you are attracted to
MOO work, you can build a realm-- a virtual world, if you will. We will
be discussing the possibilities for these projects throughout the term.
By the middle of the semester, you should determined the form the
project will take (hypertext, advanced web site, MOO, some
combination)and propose your project to the class and invite discussion
about and help with it. Remember, during the last three weeks of the
class we will be presenting our work, so you will also have to think
about how you want to present-- shall we take a guided tour through your
website? Will you give a dramatic reading of your hypertext? Be
invited to solve a mystery you have prepared for us in your MOO realm?