ENG 301 Texts and Technology: Web Compositions
Lori Amy
Syllabus

Week 1 --Intro, defining groups, interests, and projects
Wk 2 --Benjamin "The Work of Art in the Age of Mechanical Reproduction" --library reserve and
Hypertext/Theory Ch. 2 Espen J. Aarseth "Nonlinearity and Literary Theory"
Wk 3 --Patchwork Girl-- hypertext narrative at CSU bookstore
Wk 4 --MOO work
Wk 5 --Lab--HTML & MOO
Wk 6 --Lab--HTML & MOO
Wk 7 --Lab--HTML & MOO
Wk 8 --McClintock and Pratt library reserve
Wk 9 --Hypertext/Theory: Ch. 4 "The Screener's Maps: Michel de Certeau's 'Wandersmanner' and Paul Auster's Hypertextual Detective" Mireille Rosello
and Project Work
Wk 10 --Hypertext/Theory: Ch. 5 "'How Do I Stop This Thing?' Closure and Indeterminacy in Interactive Narratives" --J. Yellolees Douglas
and Project Work
Wk 11 --Hypertext/Theory: Ch. 10 "Socrates in the Labyrinth" David Kolb
and Project work
Wk 12 --Hypertext/Theory: Ch. 11 "The Miranda Warning: An Experiment in Hyperrhetoric" Greg Ulmer
and Project Work
Wk 13
Wk 14
Wk 15
--Open for class decision-- we may view film, read another hypertext, consider more of the work theorizing hypertext. We will also be presenting our projects during these three weeks, so we will need to be sure to schedule time accordingly
-- Remember-- we also meet Thursday, April 29th, to even out the distribution of hours throughout the semester--

Note-- Chapters from Hyptertext/Theory: We will be forming reading groups of 2-3 people to read and post summaries to our web page of those those chapters not assigned for class discussion.

Because many of you have different levels of familiarity with technology and writing, and because I would like to establish a theoretical context for the work we are doing, we will begin the course with Walter Benjamin's famous essay "The Work of Art in the Age of Mechanical Reproduction" and discuss the implications of Benjamin's work for digital culture and texts. From there, we will test our suppositions as we read and discuss Shelley Jackson's hypertext fiction Patchwork Girl.

By the end of the third week, you should all have active email accounts and know where and how you will have computer access. Because we do not have a computerized classroom to rely upon and must thus work out of borrowed space, open labs, and home computers, we will all have to be ingenious, generous, and flexible. In week 4, I will be introducing you to MOO work through Tari Fanderclai's MOO, Connections. Once we have all become comfortable in the MOO, we will have the option of meeting virtually in the MOO for some of our other sessions.

Weeks 5, 6, and 7 we will devote to lab work. During this time, we'll learn the nuts and bolts of getting a document on the WWW, how to use a file transfer protocal, basic html code, how to navigate and research the internet, and a bit about the semiotics of web design-- what, for instance, does it mean for an image to be part of the "text"?

For the rest of the term, we will divide our class time up between discussing short essays grappling with the issues of technology, culture, and text and working on our major projects. For weeks 13 and 14, and 15 we may choose to watch two X-Files episodes significant for their rewriting of traditional "stories," or we may choose to consider film or narratives that the class chooses. In either case, we want to think in these last few weeks of the course about the relationship of the novel, film, and hypertext to a culture's technology, imagination, and construction of self and other. Along with this, we will be "presenting" our final projects and considering how these projects extend the ways in which we can think about texts and technology.


Writing Requirements and Grading: The work for this course has 3 primary components: