This core course is taught by faculty in the Writing and Linguistics department within the CLASS
college. Look for us under WRIT (not ENGL) if you want to take additional upper division courses with us.
Dr. Angela Crow
1119 D Newton
(912) 681 –1053
acrow@georgiasouthern.edu
Georgia Southern University
My office is located in Newton (1119D). The best way to get a hold of me is by e-mail, or to stop by during office hours. Office hours are tentatively scheduled for Monday and Wednesday between 10 to 12 and 1 to 2. Some of these may be virtual office hours, held on-line, and some of these office hours may be designated as group work times. I strongly recommend that you make an appointment if you don't want to wait through various other scheduled student appointments/work times.
I hope you'll enjoy the texts that I've chosen for this course. I wanted to assign books about/written by people who might be alternate role models to the ones that we encounter on TV or in the movies. Paul Farmer, Noreena Hertz, and Carolyn Nordstrom attempt social change with a much thicker awareness of constraints and possibilities than we typically encounter in the daily public discourse.
Mountains beyond Mountains Tracy Kidder
Shadows of War Carolyn Nordstrom
The Silent Takeover Noreena Hertz.
A three ring binder, at least 2 inches wide, with dividers for work—drafts, final copies, research, etc. Must bring to class the second meeting in the semester. When writing is due, you must have it with you, printed out, before class begins, or you'll be marked absent.
Some way to save information (i.e., a jump drive, a disk, etc). Bring a storage device every time class meets.
A camera for taking pictures--can be a throw away one--anticipate 10 - 15 dollars for taking and developing photos unless you have access to a digital camera.
On-line Texts -- I'll give you links to on-line resources from handbooks for writing to how to best collaborate with others. You'll be asked to read extensively on-line and from the printed books. If you want other kinds of resources, please don't hesitate to ask; I can sometimes lend you helpful texts, or point you in the direction of texts that may help with your projects.
I want you to leave this course knowing that you can create audience-appropriate text, but I also want you to enjoy writing, to explore a range of genres, and to find places to excel as a person who creates text. When I was creating the writing prompts this time, I tried to give you real-world assignments, ones that you could submit to the newspaper, or send to the president, or use to entertain your friends—writing, in other words, that would matter, that would be challenging, no matter what you think of yourself as a writer. Writing, like any sport, requires practice and imitation, requires tools and strategies to approach challenging rhetorical situations, and requires an environment that is not too threatening but remains invigorating. Together, we'll create that kind of writing space. You can expect to work on the following outcomes:
Genre Practice : Study/create a variety of genres that address a range of rhetorical situations
Multi-modal/Multimedia Practice: Develop an awareness of how writing is shifting with the range of multimodal / multimedia discourse possibilities currently available. As a group, we will focus an extensive amount of time on web page design, and writing in the context of the WWW. Individually, you may decide to move into digital video making, sound recordings, etc.
Writing Process : develop a repertoire of writing strategies that help you to meet/surpass genre expectations. These include invention techniques, planning and organizating, and multiple strategies for revision.
Giving Useful Critiques : Develop an ability to provide other writers with quality critiques that help them to improve their texts. Your ability to speak about others' texts, to recommend revisions that the other person can use to improve his or her text is crucial to your development as a writer and to your success in this course.
Assessing Your Own Work: Select your strongest work for the final grade, a selection of texts that demonstrate your ability to integrate sources effectively in conventional academic assignments (i.e., book reviews, research papers), along with texts that explore the boundaries of alphabetic, visual, and audio text which may fit more traditionally within the categories of creative, non-fiction creative, or professional writing.
Portfolio 700 points
Revision Workshops, group participation, and other in-class participation 300 points
1000 - 900 A; 899 - 800 B; 799 - 700 C; 699 - 600 D
Assessment of course objectives/learning outcomes:
Genre practice : You will create a variety of texts that range from business letters to academic essays. This range will be represented in the final portfolio.
Multi-modal and Multimedia Documents : At a minimum, you will create web pages and a web site which may or may not be included in the final portfolio but will be part of your in-class participation points. You can choose additional projects to include in your final portfolio.
Writing process/critiques You will have opportunities to give one another feedback on texts and to develop your final texts from the comments you receive. In addition, in the revision process before the final portfolios are turned in, you will learn strategies for seeing your documents “with fresh eyes.”
Assessing work: Through the process of putting the final portfolio together, and writing the portfolio cover letter, you will demonstrate your understanding/knowledge of a variety of genres (including ones that require students to document their sources), and your ability to revise your documents, drawing on a repertoire of writing strategies.
Multiple Drafts: Each time you're about to make substantive revisions on a paper, make a paper copy of the document and put it in your portfolio notebook. At the end of the semester, you need to be able to prove that you took your work through multiple drafts.
Saving Strategies: Save your work! Save it in three or four places. Send your drafts to yourself by e-mail; save it on to your hard drive; save the work onto disks (more than one!); make a back up copy on a cd. SAVE YOUR WORK in multiple places so that you're not stuck, at some point in the semester recreating back assignments.
Imagine the worst case scenario: 2 days before the end of the semester, someone picks up your backpack by mistake with your portfolio in it—with all your research, all your drafts, all your final copies, all the comments you've received from others about your texts. What strategies can you put in place now so that if the worst happens, you can recreate most of your portfolio (including finding your research sources again easily).
1. attendance: You must come to class. If you don't, you'll be penalized twice, maybe thrice. First, you probably will have difficulty understanding the assignments/completing tasks which will result in lower grades. Second, you can't earn the points that are assigned to in-class work. Finally, I will deduct points from your final grade if you miss more than 1 hour and forty minutes (2 classes). At the end of the semester, when I tally final grades, I will subtract 50 points off your final grade for every class you missed over the two allowed. Don't miss class, and come to class ready to work. If your body is in a chair, but your mind is on vacation (i.e., sleeping or otherwise trying to recover), you will be counted absent. If you don't bring the assignments to class, you will be counted absent. In addition, you should be in class on-time. Two lates equals one absence (late = no later than 15 minutes; after 15 minutes you're considered absent).
2. IM/cell phones, etc: When class starts, I expect your attention. You need to sign out of instant messaging programs, turn off your phones (turning them to vibrating options is not enough), and resist any temptations to turn on games, or games on the internet. If you distract me or others during class with your promiscuous use of the computers/your cell phones, I'll mark you as absent for that day.
3. Diverse opinions: We will read texts that may offend you; I'll encourage you to read information on the web, and you'll likely encounter opinions there that will contradict values you hold. In addition, your classmates may hold positions that are bothersome to you. If you're not interested in exploring ideas, shaped in language you might not use, then please consider taking another section of this course.
Georgia Southern complies with all federal and state laws and regulations regarding discrimination, including the Americans with Disabilities Act of 1990 ( ADA ). If you have a disability that could affect your performance in this class or that requires an accommodation under the Americans with Disabilities Act, please contact the Student Disability
Schedule—Subject to change
Date |
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Week One |
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Mon 8/14 |
Intro to course. Writing Assignments:
Reading Assignments FOR NEXT CLASS: The Silent Takeover : 1 – 50 |
Wed 8/16 |
Bring to class: a 2 inch, three ring binder with dividers in it and also 5 pages from the above writing assignments. ( All writing assignments need to be written in Arial Font, 10 point, double spaced, with one inch margins.) Reading Assignments FOR NEXT CLASS: The Silent Takeover : 51 – 100 |
Week Two |
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Mon 8/21 |
5 pages due from Week One writing assignments ( All writing assignments need to be written in Arial Font, 10 point, double spaced, with one inch margins.) Be prepared to hand in 10 pages of writing. Writing Assignments:
Reading Assignments FOR NEXT CLASS: The Silent Takeover : 101 - 150
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Wed 8/23 |
4 pages due from Week Two writing assignments ( All writing assignments need to be written in Arial Font, 10 point, double spaced, with one inch margins.) Reading Assignments FOR NEXT CLASS: The Silent Takeover : 151 - 200
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Week Three |
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Mon 8/28 |
6 pages due from Week Two writing assignments ( All writing assignments need to be written in Arial Font, 10 point, double spaced, with one inch margins.) Writing Assignments:
Reading Assignments FOR NEXT CLASS: The Silent Takeover : 200 - 250
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Wed 8/30 |
4 pages due from Week Three writing assignments ( All writing assignments need to be written in Arial Font, 10 point, double spaced, with one inch margins.) Reading Assignments FOR NEXT CLASS: The Silent Takeover : 251 – END.
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Week Four |
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Mon 9/4 labor day |
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Wed 9/6 |
6 pages due from Week Three writing assignments pages due ( All writing assignments need to be written in Arial Font, 10 point, double spaced, with one inch margins.) Writing Assignments:
Reading Assignments FOR NEXT CLASS: Shadows of War : 3 - 50
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Week Five |
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Mon 9/11 |
6 pages due from Week Four writing assignments ( All writing assignments need to be written in Arial Font, 10 point, double spaced, with one inch margins.) Writing Assignments: Take a chapter from Nordstrom's book, outline the chapter, figure out how she arranged her material, and then take the strategy she uses, and apply it to a topic of your choice (something you know a lot about). Turn in the outline, along with the mimic exercise. (1 – 5 pages). (academic writing) Choice of article topics from Al's Morning Meeting on Poynter (newspaper article for the school newspaper, or blog entry—as if you're doing citizen journalism) (1 – 5 pages) (professional writing) look at a recent entry from E-media tidbits ; either respond to something they're writing about, go into more depth about it, or mimic the form, telling about information that you think would contribute to their perspectives. (professional writing) Revisit that description from week two's writing assignments. (Description of something that's missing/needed in Statesboro (a business, program, service, improvement to Georgia Southern or surrounding community)) Write a formal proposal to the appropriate audience, integrating research. (3 – 10 pages) (Professional writing) (*can be collaborative) Your choice of earlier prompts—if you liked doing something, and want to try it again, ask me if it's okay. Who makes a better role model for you, Noreena Hertz or Carolyn Nordstrom. Why? (You will need to do additional research to find out about these two women.) (1 – 5 pages) OR take up on of their claims, research it, shape your opinion on the issue, and create a research-driven paper that helps you to support your opinion. Reading Assignments FOR NEXT CLASS: Shadows of War : 51 - 100
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Wed 9/13 |
4 pages due from Week Five writing assignments ( All writing assignments need to be written in Arial Font, 10 point, double spaced, with one inch margins.) Reading Assignments FOR NEXT CLASS: Shadows of War : 100 - 150
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Week Six |
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Mon 9/18 |
6 pages due from Week Five writing assignments ( All writing assignments need to be written in Arial Font, 10 point, double spaced, with one inch margins.) Writing Assignments:
Reading Assignments FOR NEXT CLASS: Shadows of War : 151 - 200
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Wed 9/20 |
4 pages due from Week Six writing assignments ( All writing assignments need to be written in Arial Font, 10 point, double spaced, with one inch margins.) Reading Assignments FOR NEXT CLASS: Shadows of War : 201 - 250
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Week Seven |
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Mon 9/25 |
6 pages due from Week six writing assignments ( All writing assignments need to be written in Arial Font, 10 point, double spaced, with one inch margins.) Writing Assignments:
Reading Assignments FOR NEXT CLASS: Shadows of War : 250 - END
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Wed 9/27 |
4 pages due from Week Seven writing assignments ( All writing assignments need to be written in Arial Font, 10 point, double spaced, with one inch margins.) Reading Assignments FOR NEXT CLASS: Mountains Beyond Mountains : 3 - 50
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Week Eight |
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Mon 10/2 |
6 pages due ( All writing assignments need to be written in Arial Font, 10 point, double spaced, with one inch margins.) Reading Assignments FOR NEXT CLASS: Mountains Beyond Mountains : 51 - 100
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Wed 10/4 |
4 pages due ( All writing assignments need to be written in Arial Font, 10 point, double spaced, with one inch margins.) Reading Assignments FOR NEXT CLASS: Mountains Beyond Mountains : 100 - 150
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Week Nine |
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Mon 10/9 |
Web pages/Revision workshops Reading Assignments FOR NEXT CLASS: Mountains Beyond Mountains : 150 – 200 Last day to withdraw without academic penalty: Oct 10 th !
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Wed 10/11 |
Web pages/Revision workshops Reading Assignments FOR NEXT CLASS: Mountains Beyond Mountains : 201 - 250 |
Week Ten |
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Mon 10/16 |
Web pages/Revision workshops Reading Assignments FOR NEXT CLASS: Mountains Beyond Mountains : 251 – 301 |
Wed 10/18 |
Web pages/Revision workshops
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Week Eleven |
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Mon 10/23 |
Web pages/Revision workshops |
Wed 10/25 |
Web pages/Revision workshops |
Week Twelve |
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Mon 10/30 |
Web pages/Revision workshops |
Wed 11/1 |
Web pages/Revision workshops |
Week Thirteen |
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Mon 11/6 |
Revised portfolio DUE |
Wed 11/8 |
Revised portfolio Workshops |
Week Fourteen |
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Mon 11/13 |
Revised portfolio DUE |
Wed 11/15 |
Revised portfolio Workshops |
Week Fifteen |
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Mon 11/20 |
Portfolio DUE |
Wed 11/22 |
HOLIDAY |
Week Sixteen |
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Mon 11/27 |
Presentations |
Wed 11/29 |
Presentations |
Week Seventeen |
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12/4 |
5:30 – 7:30 FINAL |
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